Multi-Pass rendering was attempted for the 3D
Prop, but for unsolved reasons, the final EXR's did not work for the
mace, so a lot more colour correction and grading was used in place
of this.
The final step was to write out the footage, both as an
Avid DNxHD format for placing finalised clips into the edit, as well
as in PNG format to hand the shot to the next compositor. Rotoscopes
were also written, which were passed across to the shots that needed
the grade. This system in place kept the work flow of the group
steady.
Stronger roles were allocated after the green lit
presentation, but the group kept a consistent work flow of constant
review and reflection, this synergy meant that although more specific
roles were given, there was still a cohesive team-working ethic
within the group.
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